Baby Love (Shu Lea Cheang)
October 16th 2007 01:40
"Baby Love: Drive Me Drive Me Crazy" -- by Shu Lea Cheang -- at CarriageWorks, 245 Wilson Street, Eveleigh, Sydney, NSW from Monday 1 October to Friday 2 November. Further details at the CarriageWorks website and at the Baby Love website. The babies are awake from 10am-12pm and 2pm-5pm, and spend the rest of the time recharging.
Adapted from the website: --
The year is 2030. Biobot cloned babies with genes from deep sea Okinawa pearls are bred in coin lockers in Tokyo train stations. The babies are entrusted to receive, store, and transmit human memory and emotion (ME data). But the babies revolt against their "mirrored self" status...
"Baby Love" puts humans and baby clones together in a nostalgic fairground joyride -- gliding through space, gently spinning -- combining past and future, tea and sympathy, love and ME-motion. The public can upload MP3 love songs to a database, from which they are transmitted by wireless network to the babies. The babies receive this ME data, play it back, shuffle it, and jam it, leaving the humans to sort through the jumble. When eventually one teacup crashes into another, the babies exchange ME data with each other, reprocess it, and broadcast the remix on the web.
The project is based on Ryu MurakamI's novel Coin Locker Babies (1980), in which two twin boys are abandoned at birth at Yokohama Station and grow up haunted with the sound of human heartbeats.
Further reading
-- Baby Love website -- "The Locker Baby project, first conceived in 2001, consists of 3 installation plans: baby play, baby love, and baby work. The first installment, baby play, was commissioned and exhibited... in Tokyo in 2001." "Baby Love is a mobile wifi installation that consists of 6 large size (160 diameter) teacups and 6 clone babies (70 cm tall)... The baby, adorned with a locker key, a LED display with locker numbers running... Through the web interface and on site card reader... the uploaded mp3 files are recoded for ME-database and retrieved by baby machine via wireless network. Upon receiving the data, the mp3 file is analyzed and segments looped for repeated learning. The spinning teacup is its auto and manual modes further interacts with the baby's sound processing. The teacup in auto mode is in a perpetual self-spin. The public invited to ride the teacup can set the teacup movement in manual mode. The turning of wheel (left and right) and the changing of speed (1,2,3), while spinning forward and backward the teacup, also shuffle (via sensor data that detect and transmit the movement) the mp3 files back and forth and in various speed. Like a DJ's scratch of an LP, the altered soundscape... is generated by human and baby interaction as teacup spins."
-- CarriageWorks website -- "Climb aboard a giant teacup and glide into a futuristic fantasy with a dummy-sucking baby doll clone to your favourite love song... This October school holidays, CarriageWorks’ cathedral-scale foyer will play home to 6 giant teacups... Baby Love is a wi-fi mobile installation by New York based Taiwanese artist, Shu Lea Cheang, who calls cyber-space ‘home’. Shu Lea is a multi-media artist working in the field of net-based installation, social interface and film production... When the rider selects their love song of choice to begin their teacup ride, the ME data is retrieved, jumbled and eventually crashes... It is an installation which fuses nostalgia for a seemingly simpler age without boggling interactive technology and our contemporary obsessive immersion in the virtual life of the internet."
-- Sydney Morning Herald -- "in each garishly coloured cup sits a dummy-sucking baby doll with no eyes, hands or feet... Despite the apparent flippancy of her work, Cheang is one of the world's most highly regarded digital artists. Her works have been commissioned and collected by the Guggenheim Museum, and Baby Love has already exhibited in Tokyo, Taiwan, Melbourne and New York."
-- Notes from a lecture by Cheang entitled: "How i Got Fucked in Norway, Snowed in Swiss, Kissed in Paris and Driven Crazy by Babylove." Her troubles with censorship are detailed, and the article concludes with the comment: "So her most recent work was meant as her 'purest piece', she wanted no trouble at all this time. BabyLove consists of 6 big teacups and 6 clone babies. Visitors can upload mp3 love songs for baby's ME-data. But right before the opening of the show at the Palais de Tokyo, in Paris, three 'pornographic' songs were detected in her selection and she had to remove them from the list."
-- Synopsis of a porn movie by Shu Lea Cheang. "Imagine a post-Blade Runner, post-apocalyptic metropolis, populated with irresistible kinky cyborgs, known as I.K.U. Coders. Equipped with an insatiable sexual appetite and unicorn-like arms which turn into dildos, they sex you up in order to extract your orgasm data for their hard drives. Imagine further the attractive data collectors, the I.K.U. Runner Units, who eventually catch up with I.K.U. Coders to 'fuck to retrieve' their 'full data' hard drive so that a company calling itself the Genom Corporation can mass produce the erotic experiences as memory chips. And imagine, finally, that you can buy these chips from vending machines on any street corner, insert them in your mobile phone and call up colour coded I.K.U. data to suit your tastes… 'I did not make this film for masturbation. I made it for collective orgasm,' Cheang maintains, citing the way cyberspace fosters communal experiences that are moving sexuality beyond the private and the personal. 'It is like doing drag, like transsexuality, the way we are interfacing with technology and extending our identity into it.' The Face comments: '...I.K.U. is one long lavish visual metaphor for the sexual freedoms afforded by the internet, fantasies you can indulge with others regardless of gender, social constraints or even physical possibilities.'"
-- Fuller synopsis and discussion of porn movie.
-- Artist interview (below): "The piece is really about memory and emotion and how memory and emotion get stored and then retrieved". There are also (boring) Youtube videos of the babies at the Chelsea Art Museum in New York, and at the Palais de Tokyo in Paris.
Adapted from the website: --
The year is 2030. Biobot cloned babies with genes from deep sea Okinawa pearls are bred in coin lockers in Tokyo train stations. The babies are entrusted to receive, store, and transmit human memory and emotion (ME data). But the babies revolt against their "mirrored self" status...
"Baby Love" puts humans and baby clones together in a nostalgic fairground joyride -- gliding through space, gently spinning -- combining past and future, tea and sympathy, love and ME-motion. The public can upload MP3 love songs to a database, from which they are transmitted by wireless network to the babies. The babies receive this ME data, play it back, shuffle it, and jam it, leaving the humans to sort through the jumble. When eventually one teacup crashes into another, the babies exchange ME data with each other, reprocess it, and broadcast the remix on the web.
The project is based on Ryu MurakamI's novel Coin Locker Babies (1980), in which two twin boys are abandoned at birth at Yokohama Station and grow up haunted with the sound of human heartbeats.
***
| BABY LOVE
RIDE ME TENDER Baby Love is a sensitive interactive wi-fi mobile artwork. Baby Love is not a ride. Baby Love is designed to be driven gently. Baby Love is fragile and delicate. Please make sure you treat the art work with kindness and respect. Anyone who does not respect the art work will be asked to leave. |
***
***
Further reading
-- Baby Love website -- "The Locker Baby project, first conceived in 2001, consists of 3 installation plans: baby play, baby love, and baby work. The first installment, baby play, was commissioned and exhibited... in Tokyo in 2001." "Baby Love is a mobile wifi installation that consists of 6 large size (160 diameter) teacups and 6 clone babies (70 cm tall)... The baby, adorned with a locker key, a LED display with locker numbers running... Through the web interface and on site card reader... the uploaded mp3 files are recoded for ME-database and retrieved by baby machine via wireless network. Upon receiving the data, the mp3 file is analyzed and segments looped for repeated learning. The spinning teacup is its auto and manual modes further interacts with the baby's sound processing. The teacup in auto mode is in a perpetual self-spin. The public invited to ride the teacup can set the teacup movement in manual mode. The turning of wheel (left and right) and the changing of speed (1,2,3), while spinning forward and backward the teacup, also shuffle (via sensor data that detect and transmit the movement) the mp3 files back and forth and in various speed. Like a DJ's scratch of an LP, the altered soundscape... is generated by human and baby interaction as teacup spins."
-- CarriageWorks website -- "Climb aboard a giant teacup and glide into a futuristic fantasy with a dummy-sucking baby doll clone to your favourite love song... This October school holidays, CarriageWorks’ cathedral-scale foyer will play home to 6 giant teacups... Baby Love is a wi-fi mobile installation by New York based Taiwanese artist, Shu Lea Cheang, who calls cyber-space ‘home’. Shu Lea is a multi-media artist working in the field of net-based installation, social interface and film production... When the rider selects their love song of choice to begin their teacup ride, the ME data is retrieved, jumbled and eventually crashes... It is an installation which fuses nostalgia for a seemingly simpler age without boggling interactive technology and our contemporary obsessive immersion in the virtual life of the internet."
-- Sydney Morning Herald -- "in each garishly coloured cup sits a dummy-sucking baby doll with no eyes, hands or feet... Despite the apparent flippancy of her work, Cheang is one of the world's most highly regarded digital artists. Her works have been commissioned and collected by the Guggenheim Museum, and Baby Love has already exhibited in Tokyo, Taiwan, Melbourne and New York."
-- Notes from a lecture by Cheang entitled: "How i Got Fucked in Norway, Snowed in Swiss, Kissed in Paris and Driven Crazy by Babylove." Her troubles with censorship are detailed, and the article concludes with the comment: "So her most recent work was meant as her 'purest piece', she wanted no trouble at all this time. BabyLove consists of 6 big teacups and 6 clone babies. Visitors can upload mp3 love songs for baby's ME-data. But right before the opening of the show at the Palais de Tokyo, in Paris, three 'pornographic' songs were detected in her selection and she had to remove them from the list."
-- Synopsis of a porn movie by Shu Lea Cheang. "Imagine a post-Blade Runner, post-apocalyptic metropolis, populated with irresistible kinky cyborgs, known as I.K.U. Coders. Equipped with an insatiable sexual appetite and unicorn-like arms which turn into dildos, they sex you up in order to extract your orgasm data for their hard drives. Imagine further the attractive data collectors, the I.K.U. Runner Units, who eventually catch up with I.K.U. Coders to 'fuck to retrieve' their 'full data' hard drive so that a company calling itself the Genom Corporation can mass produce the erotic experiences as memory chips. And imagine, finally, that you can buy these chips from vending machines on any street corner, insert them in your mobile phone and call up colour coded I.K.U. data to suit your tastes… 'I did not make this film for masturbation. I made it for collective orgasm,' Cheang maintains, citing the way cyberspace fosters communal experiences that are moving sexuality beyond the private and the personal. 'It is like doing drag, like transsexuality, the way we are interfacing with technology and extending our identity into it.' The Face comments: '...I.K.U. is one long lavish visual metaphor for the sexual freedoms afforded by the internet, fantasies you can indulge with others regardless of gender, social constraints or even physical possibilities.'"
-- Fuller synopsis and discussion of porn movie.
-- Artist interview (below): "The piece is really about memory and emotion and how memory and emotion get stored and then retrieved". There are also (boring) Youtube videos of the babies at the Chelsea Art Museum in New York, and at the Palais de Tokyo in Paris.
| 50 |
| Vote |
Subscribe to this blog











